Tuesday, June 18, 2013

Malibu Beach (1978)


Malibu Beach (1978)
Directed by Robert J Rosenthel 
Starring Kim Lankford, Susan Player, Steve Oliver
Rated R
USA

"Hey, you got big tits, for a lifeguard!"

Robert J Rosenthel was, briefly, an exploitation mini-mogul. Besides this breezy beach epic, this long-lost drive-in svengali wrote and/or directed  Zapped!, The Pom Pom Girls, The Van and, naturally, Zapped II. For a good few years, he was the go-to guy if you needed a popped bikini top gag. Imagine being that guy? That’s a good angle.
“I need seven half-naked cheerleaders and a case of beer stat!”
“Sure thing. Robert J!”

Who knows why it ended? Did Robert J just get tired of tits? Can you ever get tired of tits? It’s been 44 years, I’m still not tired of tits. And here’s the good news. This movie has a lot of tits. It also has a LOT of 1978.  The waves of late 70’s nostalgia hits hard and fast, right from the beginning.


There’s a bikini top stealing dog, there’s Dina, (Kim Lankford) the lanky, heavy-lidded new lifeguard (in a bikini) , there’s Paul (Michael Luther), a goofy dude with an Elvis visor, there’s weirdly named Glorianna (Tara Stroheimer) a bosomy good-time girl with frizzy hair in a sports car with a "Cure virginity" bumper sticker and a John Scnhneider iron on on the back of her sweatshirt, etc. The pop culture bullshit is pretty overwhelming.

It’s Malibu Beach, it’s the summer of 1978, and the kids are alright.


So anyway, Dugan (Steve Oliver) is the local over-aged musclehead asshole who’s always hitting on the young chicks. But today he finds somebody his own age to bug, Miss Plickett (Flora Plumb),  the stuffy teacher  for most of the kids at the beach. Malibu must be a small town.


For whatever reason, she decides to go for a ride on his motorcycle, and he takes her back to his place. There's photos of body builders and paintings of big eyed puppies on the wall. I think there’s a velvet-rendered jungle scene, too. If his weird garage/apartment wasn’t off-putting enough, he rants to her about some dead goddamn plant.  Then he puts his moves on her. It all feels kinda rapey, even with the schlocky soft rock jam on the soundtrack. She doesn't dig it, and bails. You get the feeling this kinda thing happens to Dugan a lot.

But fuck it, there's a party tonight. Claude (Roger Lawrence Pierce) wears safety goggles while he drives. Quirky motherfucker.


Dina and her bud Sally (Susan Player) get a flat tire. I know it sounds like I’m just randomly mentioning things that happen in the movie, but that’s the way this one rolls. It’s like the scenes are all marbles and Robert J just drops ‘em on the ground and lets them roll wherever they want. Parenthetically,  Sally has the most amazing bangs I've ever seen. They’re awesome!


The fellas - Paul and certified cocksman Bobby (James Daughton) - help fix the flat, and they all head out for booze and disco dancing. They do the Bump in high waisted pants. But then the fellas strike out. This might bum you or I out, but you and I are not at Malibu Beach in 1978.  The guys plit, head to the liquor store, do some drunk driving in Bobby's pimped-out Jeep, and head out to the beach for a late night booze, frisbee, and weed party. A couple cops show up. The "police" sticker on their car is not convincing. It's peeling right off the fuckin' door.


The old cop goes to the bar and sends the young one, Rodney (Parris Buckner) to bust the kids. But they know him, so they just pass him a joint, and everybody gets mellow.


Dina and Paul end up hanging together on the beach. Paul decides to make his move, and lays his lips on her. She rejects him, and to make matters worse, Dugan shows up and shoves him around.


Luckily Rodney breezes by and tells ‘em to be cool. So they stay cool. Rodney munches on Crackerjacks until the fat cop shows back up and they drive away, drunk and stoned.


With the heat off, the gang goes skinny -dipping. 70's kids were a lot leaner, man.


Then they fuckin’ chug wine to get warm. All in all, it was a sweet night.


Dina gets home. She's got Rolling Stones, Zep, and A Star is Born posters on her wall. She sits there and hugs Bobby's jacket. He let her wear it on the way home. Then she gets in bed with it. Dina, I hope you know that you are like the third chick he's made out with TODAY.


Back at the beach the next day, some snotty punk kid pretends to drown just to fuck with Dina, but then he actually starts to drown. She saves him anyway. Some dude says, "You shoulda let him drown". Harsh. And then Dugan roughs him up. How about you fuck off once in a while, ok Dugan?


I dunno, Dugan and Bobby get into some static, and they decide to drag race. Dugan takes Claude’s wheels and Bobby takes Rodney's police car. Rodney was busy smokin’ weed with busty Margie (Sherry Lee Marks) at the time.


Anyway, they total the fuckin’ cars. Luckily, they're both ok.  "That was the highlight of my life," says Bobby, as he drives always triumphantly in his own jeep, with Rodney's cop car lying in a crumpled heap. Fuck you, Bobby.


Meanwhile Claude hooks up with Gloriana, the Vette chick. Nice score, Claude. By the way, Claude's a rich kid and he's got plenty of cars, so he's not even mad about the drag race.


Night’s still young, so the gang bust into the fairgrounds and go for an illicit bumper car ride before heading to inspiration point for some heavy makin’ out. Good times. I wish my 1978 was like this. My 1978 was mostly sweating on a bench outside of our apartment because we didn’t have air conditioning.


Next day, Paul rats out a couple of gas thieves, and they slit his tires and threaten him with a switchblade. "Very 50's", laughs Sally.  Also, Paul sticks a hose in their rape van and floods it. They'll probably come back and fuckin’ kill him later. I kinda hope they do,  because all the guys in this movie are assholes.


And then, disco party at Claude's! Everybody is having good times. The outfits are diabolical. The dancing is ferocious. The only thing that could fuck up this night is Dugan. So guess who shows up? It's all fist fights and cops from there. Dina's had enough of all this he-man bullshit, and tells them both to buzz off. And that's the night disco died on Malibu Beach.


Later that night, Dina and Bobby make up and make out on the beach. He was swimming in his jean shorts. She was wearing white flares. Who could resist? Anyway, then there's a bunch of love stuff for the next ten fuckin’ minutes. Lame.


Clearly, we've been building up to a climactic face-off between Dugan and Bobby, and boy do we get one. A shark is involved. Well, a wooden plank with shark teeth nailed to it, at least.


So who wins? It's 1978, man. Everybody wins.


If we're going to technical about it, nothing really happens in Malibu Beach, but then again, if you were living it, it’d probably be the most memorable weekend of your life. In fact, I would suggest that if you are a young person, you study this movie and then go try to live your next 48 hours exactly like this. That would be ballsy. If you are not a young person, I would suggest you watch this and then lament the fact that you spent your 1978 on a fucking bench when you could’ve been partying with Sally and her bangs, or whoever your foxy neighborhood equivalent was. In fact, whatever your age or disposition, you should watch Malibu Beach. Why wouldn’t you? It moves along at a fast pace, the acting is solid, the chicks are rad, the boobs are plentiful, and you can tell that everybody involved is having good, hazy times. And isn’t that what life is all about?

- Ken 

PS: Stacey says:

Hot fun in the summer time! Good times and a few hassles... this is one fun flick! Too bad the boys weren't cuter.

Cool or not so cool 70's fashions, a guy wearing goggles 24/7, and someone get those girls some hair conditioner!  Obviously the boys don't care about that... but I suggest a classic 70's Alberto VO5 hot oil treatment (the girls get it, I'm sure.)


 Surely, this was the inspiration for Richard Linklater's tamer Dazed and Confused.  Rumspringa Whoo, for sure!

Tuesday, June 11, 2013

Good Times!



Lets all take a moment to thank Alistair for cutting this shit up. Cheers pal. This clip includes Kent's hilarious mouse between white bread comment, a  bit on Amanda and Andy Dick, Crazy News, BJ and the flying squirrel, and the always amusing Jeff Crazy.

Sunday, June 2, 2013

Guess Who Has A Hard Ticket To Reno!


Those legs. Those deadly weapons. That functional, yet sexy wardrobe. Those easy going good times. How could Lt. Dangle resist?

 
 
 
-BoDuley
 
 
 

Saturday, May 4, 2013

Dr. Christina of Sweden (1970)

Directed by Nick Philips
Starring Ushi Digard, Anna Travers
Rated X
USA

Dr. Christina is the "work" of infamous nihilist-punk grindhouse director Nick Philips, the sleazedealer behind loony fatsploitation slasher Criminally Insane, to say nothing of the self-explanatory Fraulein Leather, or the depressive psyche-horror Satan’s Black Wedding. Philips’ films are so grubby and heartless that they’re almost anti-fun, a black hole of sexless despair that suck the joy right out of your eyeballs. This one almost manages to claw its way out pf the black pit of Philipsylvania, mostly due to the inclusion of one Uschi Digard, the buxotic Swedish jawdropper known mostly for her turn as the pneumatic barnyard baller in Supervixen. I don’t know about you, but I’m willing to watch just about any piece of sewer trash if her magnificent udders and marble-mouthed accent are involved. Uschi shows up halfway through in a brief lesbian scene, making sweet, furry, freaky 70’s love with some chick on a ratty couch. And that’s the best part of the movie.

The rest involves a Swedish magazine columnist who writes under the name Dr. Christina wandering around Paris, jotting stuff in her notebook, taking a train, sightseeing, and every 20 minutes or so, stumbling into a spliced-in lesbian scene. I should note that there is no dialogue in this film, just the monotone narration of the good Doc gamely combating the squawking jazz score. Does that sound like fun to you? Fuckin’ Nick Philips, man. He’s done it to me again.

But hey, at least there’s a bonus featurette on the DVD called Sex Nurse that has some blowjobs!






- Ken McIntyre

Friday, May 3, 2013

Good Example of Embarrassing Mime

I'm sure I'm not alone in my uncomfortableness with mimes. They are weird and creepy. The main conflict any person educated in the arts has with mimes comes from the fact that it's a perfectly valid form of artistic expression. Part clowning, part performance art, part breakdancing and entirely related to the human experience, miming is indeed an undeniable art from.

It's just that is sucks balls as an art form.

As this embarrassing Howard Jones promotional video clearly demonstrates.


 


-Drew Buzzy

Monday, April 29, 2013

Top 5: Comfortable Jumpers Worn by Sarah Lund in ‘Forbrydelsen’

Danish crime drama Forbrydelsen, also known as The Killing, is comprised of three seasons of impeccably plotted murder and mystery. Sofie GrÃ¥bøl stars as awkward and unpersonable cop Sarah Lund, and wears some of the most comfortable-looking jumpers ever seen on television. Here’s her five best.

#5

lund5

Lund starts season two in this red number. It’s not as flashy as some of her other efforts.

#4

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The beginning of season three sees Lund in this angular sweater, although she doesn’t stick with it for long – possibly because it is, comparatively, rather thin looking. Denmark is cold, you know.

#3

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The remainder of season three is mostly spent in blue; a recolouring of a jumper she wore in the first season.

#2

lund2
This brown sweater was seen briefly in the first season. Lund later donned a similar brown jumper in season two, but with a more familiar pattern.

#1

sarahlund
The original, unsurpassable, season one classic.
Alistair

Friday, April 26, 2013

Jennifer's Body (2009)

Directed by Karyn Kusama
Starring Megan Fox, Amanda Seyfried
R
USA

"What's up, Vagisil?"

Despite the fact that it starred then-Hollywood It girl Megan Fox, Jennifer’s Body tanked at the box office. Why? Because the script is fucking atrocious is why. I swear, Diablo Cody is the luckiest terrible writer on the planet. "You give me such a wetty"?! Fuck.

Anyway, Jennifer’s Body stars Megan Fox as Jennifer, the hottest girl in school, who is best friends with Needy, played by Amanda Seyfried, who is the nerdiest kid in school. So that’s not right. Also, there’s nothing nerdy looking about Amanda Seyfried, she just wears glasses. They find some band on Myspace called Low Shoulder and go to see them. The band happens to be dabbling in the occult, so they kidnap Jennifer one night when the local club burns down, and they sacrifice her. This would be kinda awesome if they looked like the kind of people who might kidnap hot chicks and sacrifice them, like Marduk or something.


But they don't, they look like actors wearing mascara, which is what they are.


Anyway, turns out she’s not a virgin, so instead of dying, she becomes a vampire-demon sorta thing who can set her tongue on fire. And that’s what happens.


Bottom line? Amazingly, it’s completely skippable. You not really missing anything. I like the poster. I would rather own the poster than the DVD. It’s a shame, because Megan Fox is perfect for the role, and she's great to look at, and with a decent writer, it could have been a very funny, gory movie.


PS When she was in high school, people threw ketchup packets at Megan Fox. That’s pretty much the only interesting fact I have about her. Also, she's wicked into Jesus now.

PPS: I originally saw this in the theater. During the lesbian make-out scene, you could hear boners popping all over the place. Boings! everywhere. So there's that.


- Ken McIntyre

Thursday, April 25, 2013

Terror Toons (2001)

Directed by Joe Castro
Starring Lizzy Borden, Beverly Lynn, Fernando Padilla
Unrated
USA/Hell 

"I don't know where I ended up, but I'm their king now." 

Hanna Barbara meets demented German Expressionism in this hyperactive dayglo nightmare that makes "Itchy and Scratchy" look like...well, kid's stuff. Dig this for a show-stopping opener. Average jerk in a beanie gets sucked into the cartoon dimension. Not sure how, probably by accident. Poor bastard couldn't run into Squiddly Diddly or anyone nice like that, right? No, he runs into this gonzo blood eater Dr Carnage. The bad Doc looks like a radiated Mortiis, and acts like a meth- burning, rubbery Mengele. He straps the guy down to an operating table and experiments on him with weird, savage surgical instruments and jolts of purple electricity. Then he rips the cat's skull out through his belly button. Now, in Doc's world, this is just a harmless sight gag; but humans aren't quite as flexible as animated cells. Instead of shoving his skull back into his head, beanie boy just lies there, a bloody, dead mess. Which just goes to show that cartoons ought to just stay in their own fuckin' dimension, and leave us fleshly types alone.

Try explaining that to a porn star, though. In particular, try explaining it to the jaw-dropping bombshell Lizzy Borden, who stars, however briefly, as Candy. Candy and her sister Cindy (Lynn) are the remarkably well-adjusted children of some shlub and a hysterical drag queen, who are leaving the two girls to fend for themselves for a day or two, so they can attend what has to be a very weird wedding. Normally, since I'm ball parking Borden and Lynn's ages at 24 and 28 respectively, this should not be a problem. They should be able to take care of themselves just fine. But there's nothing normal about this film, so Candy is either supposed to actually be about 10 years old, or perhaps just retarded. If it's the former, than the basketball- sized implants - probably the most cartoonish aspect of the entire movie- certainly give away the game. At any rate, Candy receives a mysterious "Terrortoons" DVD in the mail, and retreats to her room to watch it. Meanwhile, her older (ahem!) sister Cindy and a friend call up their dopey boyfriends and invite them over for some strip-Ouija.


While the overgrown teenagers get their groove on in the living room, Candy is enthralled with the strange cartoon. Foolishly, she chooses "Terrortoons Live" on the DVD menu, and after the strange and terrible story of Doc Carnage is explained (He created crazed gorilla Max Assassin from a lab monkey he stole and experimented on, and the two run amuck throughout the cartoon universe, indiscriminately killing everything they come across, in various slapsticky ways), Max and doc burst right through the screen and into the real world. Yikes.

 What follows is an hour or so of berserk, surreal chaos, as the two cartoon characters plow through the cast of bewildered teens, utilizing increasingly cartoony methods of mayhem. Giant pizza cutter? Check. Dynamite in the donut? Check. You get the idea, right?


Although "Terrortoons" does have it's limitations- Dr. Carnage and Max are played by guys in foam suits, after all, and look more "Banana Splits" than "Roger Rabbit"- but it wins big points on sheer audacity and gleefully mean spirited absurdity. I have piles of bukkake and spanking videos here, and this is still the most perverse thing I've seen in quite a while. If Walt Disney was a nihilistic, gas huffing, teenage punk rocker, this is exactly the movie he would have made.


- Ken McIntyre

Friday, April 19, 2013

It's Gauze!






I love how Alistair's answer just doesn't compute with Fake Gore Gore Girl.

-Drew (via Alistair)

Wednesday, April 17, 2013

Drew Carey Show: Season 9, Ep 22. Special guest, Maria Ford! (2004)



Directed by Thomas J Thompson
Starring Drew Carey, Ryan Styles, Deidrich Bader, Maria Ford
Genre: Sitcom

"Eggs and strippers. It's why people hide in the wheel-wells of 747's just to get to this country."

While it certainly has its own singular charms, the Drew Carey Show is, classically, not much of a resource for boner TV fans. It is, after all, a show about a pudgy, bespectacled everyman in an ill-fitting suit trying to get though the day without any major incidents. Guys who brew their own beer in their basements don't usually cavort with scads of beautiful women. That being said, the show was often quite funny. Craig Ferguson as Drew's whacked-out boss was a major highlight. Also, Christa Miller, Drew's best-bud Kate, was easy on the eyes, in a low-key sorta way. That is, until she butchered her mug with plastic surgery. By the way, did you know she was Susan Saint James' niece? True story. Also, she was on the cover of the first issue of fratboy boner rag Maxim. So there's that.

Anyway, the point is, you rarely had the opportunity to ogle on the Drew Carey show. And then, out of nowhere, at the tail end of the show's 9th season, the gang hits a strip club. And who's dancing at said establishment? Why, none other than everybody's favorite go-to B-movie stripper-actress, the glamorous Maria Ford!


Ford made a series of low-budget "erotic thrillers" and horror flicks for Roger Corman back in the 1990's. Sometimes she was a cop (Angel of Destruction, 1994), and sometimes she was part of an ancient fertility cult (Burial of the Rats, 1995), but most of the time (Stripped to Kill II, 1985; Dance of the Damned, 1989; Dance With Death, 1992; Stripteaser, 1995, Hot Ticket, 1996; Showgirl Murders, 1996), she played a stripper. While these racy roles made her a cult star, she reportedly hated doing so much nudity, and by the end of the 90's, her reign as a skin-bearing b-queen abruptly ended. She claims it was by design, although many think it was because of face-altering plastic surgery she underwent in 1998. For whatever reason, Maria drifted off the sleaze-beast radar and when she did pop up in the next few years, it was generally in minor walk-on roles in kidflicks. So who knows how she ended up back on the pole in this episode of Drew Carey, but there she is!


In the episode, Drew and his pals Oswald (Deidrich Bader) and Lewis (Ryan Stiles) decide to check out the new strip club that just opened in town. In the pre-credit scene, you can see our girl Maria kicking and grinding with abandon in a too-short pink micro-miniskirt as Drew and Lewis chomp on eggs and toast. They also cut away to Oswald, who is entertaining another stripper, Raven, with his hopeless attempts at card tricks. Raven is portrayed by Sirena Irwin, a voice actress known primarily as the voice of a fish on Spongebob Squarepants.


After the commercial break, we get back to the action at the club. Crystal (Ford) is still dancing for the fellas, but Drew's feeling guilty, because he didn't tell his girlfriend Kellie (Cynthia Watros) he was going. He decides to get some advice from Crystal.
"Excuse me, I need a woman's opinion. I have a question about relationships."
"Well, if it's about your relationship with your father, I'm probably not the best person to ask."
Ouch.
Later on, Crystal gives Lewis a lapdance, and Drew keeps badgering her about his girlfriend. She suggests he lies and tells her he went bowling. Problem solved. Then she bronskies Lewis, but her hard-as-rock boobs injure his neck, and he has to go the emergency room.

The next day, Lewis visits Drew wearing a collar. He tells him he wants to sue the strip club, and to do that, he'll need Drew's testimony. To do that, Drew has to admit that he lied about bowling to Kellie. She's pretty pissed about it.


So, they all go the arbitration, and Lewis attempts to extort $4 million dollars from the club. He does not get it, but everybody gets free passes to the strip club. So everybody wins.

Well, except for Crystal.


Even when the material failed her - and it often did - Maria Ford was a compelling, captivating presence during her 90's direct-to-video run. Most obviously, she was a stunner, with a flawless face and well-toned figure. She also imbued even the most basic roles with some sense of raw authenticity. Maria Ford acted as hard as she possibly could, all the time, even with the most basic, un-challenging roles. But perhaps her most endearing trait was the almost palpable anguish she so clearly felt when she found herself portraying another woozy stripper, another hapless victim, another shameless seductress. Maria wanted to be an A-list, dramatic actress so badly that it bled all over the screen. It made you want to root for her, to be on her team, somehow. Because we're all Maria Fords in someway or another, and just like her, we often end up settling for a life a lot less glitzy and glamorous than we'd hoped for. It is this last defining characteristic, as ethereal as it is, that resonates the loudest in this episode. Ten years later, and Maria finally gets a big break - and it's as a fuckin' stripper. Life is a killer, man.


That being said, as Drew Carey episodes go, "Assault With a Lovely Weapon" isn't bad. Lotsa cleavage, a few funny jokes, and gratuitous Maria Ford. That's pretty good for 22 minutes of mainstream situation comedy. Fans who haven't seen her since the mid 1990's might be taken aback with Ford's new look - her surgery really did fundamentally change the shape of her face - but underneath, she still exudes the heartbroken screen goddess that so enthralled us way-back-when.


Now, somebody put her in a real fuckin' movie so we can have a happy ending, ok?

- Ken McIntyre

The Final Countdown...Hopefully


Clearly this is the worst cover of any song ever, but there's something else I'd like to point out here; The Final Countdown is 26 years old now....and more to the point, it was never a good song to begin with! How the hell is this song still still in our global conversation?

I've never understood why it was popular in the first place but I do know that it doesn't deserve the status that it has. One-hit wonders like Europe should go away after a while. Turn up the Radio is just as bad and pointless, but we did the right thing by forgetting about it all together.

Let's just hope these terrible Russian kids have helped put the final nail in the coffin of this entirely worthless song. Good job kids! Hits From Hell thanks you for your hard work!

Sunday, April 14, 2013

Top 10 Most Spectacular ‘Honey West’ Outfits

I could probably go through the series and include pictures of more or less anything worn by Anne Francis in 1965 detective show Honey West, because, well, Anne Francis, but here’s ten that stood out. Don’t forget, we’ll be (finally) taking a look at the show on next week’s MAG, on April 20th.

#10

hw-ep3

In episode 3 (The Abominable Snowman), Honey wears what appears to be some kind of cling-wrap/sequins combo, and tends to partner Sam’s black eye with a large steak.

#9

hw-ep18

Honey goes under cover as a nurse in episode 18 (King of the Mountain).

#8

hw-ep23

Honey wears a black cat suit – for night time snooping – in most episodes. Pictured here in episode 23 (Come to Me, My Litigation Baby).

#7

hw-ep10

Under cover as a Polynesian restaurant waitress in episode 10 (A Neat Little Package), following a tussle with some crooks in a lake.

#6

hw-ep7

Episode 7 (The Princess and the Paupers), requires Honey to go under cover briefly as a bathing beauty at a lake.

#5

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Honey drops a cool grand on this designer gown from her client, Mr Antoine of Beverly Hills, in episode 11 (A Stitch in Crime).

#4

hw-ep4

Honey, sort of under cover in an Annette-esque mesh bikini, on a boat in episode 4 (A Matter of Wife and Death). Male gaze courtesy of her partner Sam, watching from the shore. “Any problems?” he asks. “Only a Peeping Sam. Girl watch on your own time,” she replies.

#3

hw-ep12

Under cover once again as a waitress, this time in some kind of one-armed tiger-print affair, from episode 12 (A Million Bucks in Anyone’s Language), and once again spied upon/watched by Sam from afar.

#2

hw-ep22

It’s actually her double, Pandora Fox, who sports this outfit in episode 22 (Don’t Look Now, But That Isn’t Me, which we’ll cover on MAG this coming weekend), but either way, it’s Anne Francis. Also pictured: Alan Reed, the voice of Fred Flintstone!

#1

hw-ep14-2

Honey stakes out a sauna in episode 14 (Invitation to Limbo), in a towel.

Alistair

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